Look in this section for Orlando International Fringe Theatre Festival reviews. (They’re listed in the column to the right, and there will be more each day.)
Elizabeth Maupin
-
Join 462 other subscribers
Share this blog
Pages
- Central Florida theaters
- Fringe 2011
- Elizabeth Maupin’s Best of the Fringe
- About the Fringe
- Fringe 2011 schedule, day by day
- Fringe 2011 schedule, show by show
- Fringe 2011 outdoor stage schedule
- Fringe 2011 reviews
- Fringe review: ‘Anne Frank Superstar & The Purpose of the Moon’
- Fringe review: ‘Any Title That Works’
- Fringe review: ‘archy and mehitabel’
- Fringe review: ‘The Big Smoke’
- Fringe review: ‘Bitches of the Kingdom’
- Fringe review: ‘The Booyah’
- Fringe review: ‘Cabaret Noir’
- Fringe review: ‘Die! Mommie! Die!’
- Fringe review: ‘Doctor WHOse Line Is It Anyway?’
- Fringe review: ‘Dog Powered Robot and the History of the Future’
- Fringe review: ‘Don’t Make Fun of Jesus’
- Fringe review: ‘Dying Hard’
- Fringe review: ‘Fear Factor: Canine Edition’
- Fringe review: ‘Five Minute Professor’
- Fringe review: ‘Heaven Help Us!’
- Fringe review: ‘The Holy Land Experience’
- Fringe review: ‘The Humor Mill Orlando Presents … The War on Terriers!’
- Fringe review: ‘I Love You (We’re F*#ked)’
- Fringe review: ‘I’m Just Not That Gay’
- Fringe review: ‘Joe’s Café’
- Fringe review: ‘The Last Straight Man in Theatre’
- Fringe review: ‘Lot o’ Shakespeare’
- Fringe review: ‘Miss Sammy Bakes a Cake’
- Fringe review: ‘My Monster’
- Fringe review: ‘My Pal Izzy’
- Fringe review: ‘Oh, That Wily Snake!’
- Fringe review: ‘Once Upon a Pill’
- Fringe review: ‘onomatopoeia’
- Fringe review: ‘Preacherman’
- Fringe review: ‘Radio Star’
- Fringe review: ‘Road to Nowhere’
- Fringe review: ‘Robby Pigott Tries Something New’
- Fringe review: ‘SmartArse’
- Fringe review: ‘Stayin’ Alive’
- Fringe review: ‘Suckers, a Freaky Little Musical’
- Fringe Review: ‘Superman Drinks’
- Fringe review: ‘The Supporting Cast’
- Fringe review: ‘Thom Pain (based on nothing) by Will Eno’
- Fringe review: ‘A 3-Decker Romance’
- Fringe review: ‘[title of show]’
- Fringe review: ‘Wisdom: Part One’
- Fringe 2011 schedule changes
- Fringe 2011 Patrons’ Picks
- Visual Fringe
- Fringe 2010
- In memoriam
- Comment guidelines
- About me
- Contact me
Categories
- 2011-2012 seasons
- Arts administration
- Arts advocacy
- Arts education
- Arts funding
- Auditions
- Awards
- Broadway
- Cabaret
- Celebrities
- Children's theater
- Circuses
- Classical music
- College and university theater
- Comedy
- Community theater
- Critics
- Dance
- Deals
- Dinner theater
- Fringe festivals
- Fundraisers
- Grants
- High school theater
- Improv
- In memoriam
- Jobs
- New plays
- New York theater
- Opera
- Orlando theater
- Other arts
- Performance art
- Performance space
- Playwrights
- Puppetry
- Readings
- Regional theater
- Reviews
- Shakespeare
- Theater around the world
- Theater festivals
- Theme parks
- Tony Awards
- Tours
- Uncategorized
- Workshops
-
Recent Posts
Recent Comments
Judy thompson on Theater review: ‘Legacy… Heather J. @ TLC on Book review: ‘Wendy and… Terrence Girard on Time to say goodbye Rory Trumbore on Time to say goodbye Anna McCambridge-Tho… on Time to say goodbye Blogroll
- A + E Interactive (Karen D'Souza, San Jose Mercury News)
- About Last Night (Terry Teachout, Wall Street Journal)
- American Theatre Magazine
- Arts and Cultural Alliance of Central Florida
- Arts Journal
- Drama Queen (Christine Dolen, Miami Herald)
- Guardian theater blog
- Internet Broadway Database
- Internet Off-Broadway Database
- London Theatre Guide
- National New Play Network
- NYTheatre.com (Martin Denton and others)
- Off-Broadway League
- Playbill Online
- Red Chair Project
- Theater Loop (Chris Jones, Chicago Tribune)
- Theatreforte
- Tony Awards
Elizabeth Maupin on Theater 
Absolutely LOVE this year’s program. High contrast, readable pages. Easy to find the show you want (amazing how important dropping “The”, etc). And the concept absolutely rocks.
The pictures, the Yearbook theme, the “memories” – everything is supportive toward helping especially new audiences understand the complexity that is Fringe. I am eager to share my program with folks that don’t understand what Fringe is all about. MUCH appreciated!